Regular

Seven ways you can lose a Twitter follower and what you can do to prevent it.

How To Lose A Follower In Seven Ways

The Secret Life of A Recovering Journalist

Creating a relationship that is beneficial to journalism and public relations

3 Myths About The Young Adult Demographic: Debunked

Understanding the young adult demographic

PR vs. Advertising —  Who cares?!

Ladies and Gentlemen: Your Marketing Has Left The Building

4 Things PR Folks Can Learn From Music Festivals

Music festival PR lessons

What? You’re not familiar with the greatest street artist of all time? We’ll fill you in.

Anyway, the movie chronicles Banksy and several other esteemed street artists like Shepard Fairey, Neckface and Space Invader as they undertake amazing, brilliant and often dangerous pursuits of street art, all through the eyes of an amateur “filmmaker.” As time progresses, the filmmaker decides to become a street artist himself, and he produces one of the largest exhibits ever featuring knock-offs of his more famous predecessors, leaving the audience to question his talent, his passion, and ultimately the plausibility of the entire film.

So even though the message rang true to us, half the fun of the movie was to see the outrageous products of the street art movement and the reactions of the people passing by. And while, perhaps, Banksy’s work lies in somewhat of a “legal gray area,” the ideology is something the most upright citizens can learn from.

Take chances. Our best clients are the ones that say, “We’ll try it! If it works, that’s great. If it doesn’t, we’ll try again.” As with business entrepreneurship, a risk is always involved, and the reward is usually directly proportional. I’m sure at some point Banksy wheat pasted something to the side of a building, and either got caught, got chastised or ripped his papers and failed at the venture entirely. It happens.

Expect dissent. Not everyone is going to like everything you do, especially if it has a strong message or meaning. Don’t worry about it. These people are not your audience. If you look back on the greatest ideas of all time, they had their naysayers too, so don’t let the possibility of criticism hold you back.

Bask in glory. Creating something big that catches people off-guard – a performance marketing stunt, a protest, a mural on the side of the wall or an underground grassroots campaign all over town – will get noticed. People will stop, take pictures and tell their friends. Those friends will tell their friends. Nothing is more valuable than a memorable experience, and when you use a “shock and awe” approach, you’re giving the people something they’ll not soon forget.

Don’t be a copycat. If you watch the film we mentioned above, you’ll see that in the street art world, imposters are not welcomed. If you’re going to do something that gets a lot of attention, make sure it’s thoughtful and original.

Wise up. Performance marketing requires a little humor and a little silliness too, but it also needs to be smart and insightful. Connecting emotionally and intellectually with your audience is essential to the success of any campaign, and this arena is no different. If you notice Banksy’s work, it’s not just meant to get a laugh or distract – there is a serious, often political, message attached to every piece of art. It is this jarring, poignant quality that makes his work so renowned.

Street artists find inspiration in the things around them. A wall is not just a wall – it’s a canvas. A sidewalk is not just used for traveling – it’s an artist’s playground. Try to find creative outlets in the unordinary, and take chances when you have the opportunity. Oh, and definitely go see Exit Through the Gift Shop.

Getting The Mob Done: 6 Reasons Flash Mobs Work

At Black Sheep, we know storytelling isn’t just about awareness. It’s about disruption, transformation and cultural change. That’s why we loved our Account Director Shauna Garriques’ LinkedIn article, Kendrick Lamar’s Super Bowl Performance Was More Than Music—It Was a Masterclass in Impact Storytelling where she unpacks how Lamar turned the world’s biggest stage into a powerful commentary on racial injustice. His use of symbolism, risk and raw emotion sparked conversations far beyond the 13-minute performance.

We won’t rehash her insights here—and encourage you to read the full article—but we do want to build on them. Because what Kendrick Lamar did wasn’t just an example of impact storytelling. It was a lesson in narrative power—who gets to tell stories, how those stories shape public consciousness and why discomfort is often a sign you’re doing it right.


Owning the Narrative vs. Being Part of the Narrative

For decades, the Super Bowl halftime show has been about spectacle. Big names, bright lights and choreography built for mass appeal. But Kendrick Lamar didn’t just step into that tradition; he bent it to serve a deeper message.

That’s a crucial lesson for social impact leaders. Are you shaping your own story, or are you adjusting it to fit someone else’s expectations? Too often, organizations working in justice spaces are asked to soften their message for broader appeal. 

You write in order to change the world… if you alter, even by a millimeter, the way people look at reality, then you can change it. - James Baldwin

Real impact happens when stories are told with honesty and audacity, not when they’re polished into something more digestible.


Symbolism Isn’t Just an Aesthetic Choice—It’s a Strategy

One of the most striking aspects of Lamar’s performance was his use of visual storytelling. The prison yard set. The red, white and blue draped over Black bodies. The synchronized marching. The video game references. None of it was accidental. Every detail was designed to deepen the emotional impact of his message.

We believe the same is true for social movement storytelling. Symbolism isn’t decoration—it’s a strategic tool. The picture-superiority effect suggests that a well-placed visual cue is far more likely to be remembered than words alone. When we work with social impact organizations fighting challenging battles for issues like reproductive rights, labor justice and trans visibility, we ask: What do people need to feel before they understand what you’re saying? Because facts inform, but emotion moves people to action.

Perhaps the most important takeaway from Lamar’s performance is that discomfort is not the enemy—it’s the point. Social impact work should challenge assumptions, shift perspectives and push audiences to engage with hard truths.

As Shauna said, “Bold storytelling sparks dialogue, and dialogue is where change begins.”  Kendrick’s performance didn’t just make people watch—it made them feel. And for movements that challenge power, creating that kind of discomfort is often the first step toward a cultural shift.

Emotional resonance isn’t just a storytelling tool—it’s what makes messages stick. Research shows that people are far more likely to remember a message when it triggers an emotional response—especially when it highlights injustice. This reinforces a truth that every major movement for change has understood: growth comes from friction. Progress doesn’t happen passively. It requires people to engage with discomfort, challenge the status quo and push conversations forward, even when the path isn’t easy.

If you’re interested in active, powerful storytelling that sparks real impact and are ready to challenge the status quo with your own message, let’s talk. As Kendrick showed us—culture shifts when voices refuse to be silenced.

Kendrick Lamar Didn’t Just Perform—He Provoked. Here’s What We Can Learn About Narrative Power and Cultural Change.

The Power of Disruptive Storytelling

The Black Sheep blog is turning up the volume on community engagement, social media strategy, Houston happenings and what it means to lead a purpose-driven life.

The Black Sheep Agency | Social impact and nonprofit blog

We like to type as much as we like to listen.

We're not shy.

The Power of Disruptive Storytelling

Pitches, Bitches: 3 Ways Mad Men Made Agencies Everywhere Jealous

How To Lose A Follower In Seven Ways

The Secret Life of A Recovering Journalist

When Taco Bell Calls, You Answer

3 Myths About The Young Adult Demographic: Debunked

PR vs. Advertising — Who cares?!

If You Got It, HAUNT It.

Ladies and Gentlemen: Your Marketing Has Left The Building

Black Sheep Book Club: Socialnomics

4 Things PR Folks Can Learn From Music Festivals

Taking Your Marketing To The Streets

Getting The Mob Done: 6 Reasons Flash Mobs Work

This S$#% is Bananas